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4. Funded Research Projects



                seminar and talk on Chen to promote his contribution in Hong Kong art history.

                The Principal Investigator will explore funding opportunity from Knowledge
                Transfer in HKBU, Arts Development Council, etc. for this project. And through
                collaboration with these organisations, the investigator will conduct various

                seminars and talks to promote the project, making public awareness of the

                significance of Chen’s art.

                4.32  A Survey of Western Media Art in Pre-1960s Hong
                          Kong (on-going project)


                 Principal Investigator:      Dr. Jack Lee

                                              Research Assistant Professor, Cross-Cultural Studies
                                              Working   Group   of  LEWI

                 Source of Funding:           HKMA, HK
                 Amount Awarded:              HKD575,000


                Brief Introduction:


                This research project aims to investigate the development of western media art
                in Hong Kong, from the early 1930s to the pre-1960s when oil painting and

                sculpture became major art forms practiced by most young artists, in particular
                amongst those who received formal art training aboard and returned to Hong

                Kong during the early 1930s. The rapid growth and interest in western media
                art in Hong Kong before the 1960s is significant to the art development of the

                place since it does not only witness the influx of western ideas and knowledge
                brought by returning Chinese artists, it also triggered off the study of such media

                by many local young artists during the time when Hong Kong was increasingly
                open to the rest of the world through international trade.


                Early Hong Kong artists who specialised in western medium art, including Li Tiefu,
                Yee Bon, Lee Byng, Wong Chiu Foon, T P Chui, Luis Chan, Wong Siu Ling, Ng Po

                Wan, Chan Shek Kwan, Leung Chuk Ting to name a few, became the major
                figures to promote such painting and sculpture in Hong Kong since the 1930s.

                However, academic study of these artists and their works has been lacking. Apart
                from the exhibitions on Wong Siu Ling and Lee Byng held by the Hong Kong

                Museum of Art, and the ones on Li Tiefu and Yee Bon by the Hong Kong Art
                Centre in the 1990s, it seems that the study of western medium art has been



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