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4.  Funded Research Projects


                abandoned in the last decade. In view of this, this research project intends to

                examine the works and contribution of this group of Hong Kong artists so as to
                strengthen our understanding in the history of Hong Kong art. The research
                outcome of this project will definitely enhance the archival collection of the HKMA.

                In addition, the outcome will help to open up the possibility of exhibiting works

                of this group of early Hong Kong artists in future, which is one of the missions of
                the museum.

                4.33  Picturing China: A study of the visual representations of

                          the 18th and 19th century China Coast (on-going
                          project)


                 Principal Investigator:      Dr. Jack Lee

                                              Research Assistant Professor, Cross-Cultural Studies
                                              Working   Group   of  LEWI
                 Source of Funding:           GRF, RGC, HK

                 Amount Awarded:              HKD334,500


                Brief Introduction:


                The major goal of this research project is to investigate the art and cultural,
                socioeconomic-political aspects of 18th and 19th century China (namely the late

                Qing period) through the study of visual images, including paintings, drawings,
                prints and photographs that were produced during this period. As a cross-cultural

                and interdisciplinary research topic,  this study focuses on the landscapes
                depicted in the late Qing China coast specifically Canton, Hong Kong, Macao,

                and Shanghai. These places were open to foreigners during the late Qing period,
                first for trading and later for political reasons due to the decline of the Imperial
                Court. Landscapes produced in the form of paintings and photographs related

                to these places, by Chinese and Western professional artists, travellers or
                amateurs, were well received by foreigners, hence they were produced in large

                numbers in the last two centuries. Interestingly, the making of these landscapes
                changed over time, indicating the rise and fall of the significance of a certain

                place. The artistic representation of  these landscapes also changed during
                different stages of development, showing that both the Chinese and Westerners

                had different ways of seeing China over time. Thus, to investigate the
                topographical depictions of the China coast not only enables us to understand



                59         HONG KONG BAPTIST UNIVERSITY | David C. Lam Institute for East-West Studies
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